Blackmagicdesign URSA Cine 12K LF 100G Body
The Blackmagic Design URSA Cine 12K LF 100G combines cinema image quality directly with high-speed network production.
- Record in 12K resolution with 16 stops of dynamic range.
- Output uncompressed SMPTE 2110 IP video directly via the 100G QSFP28 port.
- Adjust exposure using built-in clear, 2, 4, and 6-stop IR ND filters.
- Support interchangeable lockable EF, PL, LPL, and B4 lens mounts.
€ 7.745,00
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Blackmagicdesign URSA Cine 12K LF 100G Body
Digitale cinema-camera met 12K-sensor, 100G SMPTE 2110 IP-video en Blackmagic RAW
Combining a 12K large-format sensor with a 100G QSFP28 IP network connection, the Blackmagic Design URSA Cine 12K LF 100G digital cinema camera body delivers high-resolution digital film directly into SMPTE 2110 IP video workflows. Its magnesium and carbon fiber body provides robust durability for cinematography and large-scale live events.
Live production environments often face a gap between cinema-quality imagery and high-speed IP infrastructure. This body bridges that gap by streaming SMPTE 2110 IP video over 100G while recording locally in Blackmagic RAW. As a result, it fits into high-end multicam studios and hybrid events requiring uncompromised broadcast and post-production standards.
Choosing the URSA Cine 12K LF for Your Workflow
Choose this product if: You need a large-format 12K video solution that connects directly to a 100G QSFP28 IP video infrastructure for live or studio workflows.
Consider an alternative if: You do not require 100G IP network integration or need standard single-source video outputs.
Suitable applications: Digital cinema production, live event broadcasting with SMPTE 2110 IP video networks, and high-end multicam studio environments.
Unsuitable applications: Basic consumer video projects that do not require IP video networks or digital cinema workflows.
Required additional products: Blackmagic URSA Cine EVF, PYXIS Monitor, URSA Cine PL Mount, URSA Cine LPL Mount, and Blackmagic Media Modules.
Relevant alternatives: Blackmagic URSA Mini Pro 12K or other digital cinema cameras within the Blackmagic ecosystem.
Specifications
| SKU | BL-CINEURSAAB12KLFABDY1 |
| Brand | Blackmagic Design |
| Product Name | URSA Cine 12K LF 100G Body |
| Product Type | Digital Cine Camera |
| MPN | CINEURSAAB12KLFABDY1 |
| EAN (GTIN) | 9338716010619 |
| Feature | Digital Film Look for Live Production |
| Sensor | Large-Format Full-Frame 12K Sensor |
| Effective Sensor Size | 35.64mm x 23.32mm (Large Format) |
| 12K LF Sensor Dimensions | 36x24mm |
| 17K 65 Sensor Dimensions | 51x24mm |
| Sensor Resolution | 12,288 x 6480 (80 megapixels per frame) |
| Native Resolution | 4096 x 2160 (Conflict in sources) |
| Pixel Pitch | 2.9 microns |
| Dynamic Range | 16 Stops |
| Native ISO | 800 |
| ISO Sensitivity | Dual native ISO up to 25600 ISO |
| Color Science | Generation 5 Color Science |
| Built-In Optical Low Pass Filter | Included |
| Built-In ND Filters | Button activated ND filters with clear, 2-stop, 4-stop and 6-stop IR ND filters. | 2, 4 and 6 stop filters | 2, 4 and 6 stop optical ND filters with IR filtering |
| Shooting Formats | 12,288 x 8040 (12K 3:2 open gate) | 12,288 x 6912 (12K 16:9) | 12,288 x 6480 (12K 17:9) | 12,288 x 5112 (12K 2.4:1) | 9648 x 8040 (12K 6:5) | 9408 x 6264 (9K 3:2) | 8688 x 4896 (9K 16:9) | 9312 x 4896 (9K 17:9) | 9312 x 3864 (9K 2.4:1) | 7680 x 6408 (9K 6:5) | 8192 x 5360 (8K 3:2 open gate) | 8192 x 4608 (8K 16:9) | 8192 x 4320 (8K 17:9) | 8192 x 3408 (8K 2.4:1) | 6432 x 5360 (8K 6:5) | 4608 x 2592 (4.6K 16:9 B4 crop) | 4096 x 2680 (4K 3:2 open gate) | 4096 x 2304 (4K 16:9) | 4096 x 2160 (4K 17:9) | 4096 x 1704 (4K 2.4:1) | 3216 x 2680 (4K 6:5) |
| Frame Rates | Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported. Maximum sensor frame rate dependent on resolution selected. |
| High Speed Frame Rates | 12K 3:2 open gate up to 80 fps | 12K 17:9 up to 100 fps | 12K 2.4:1 up to 120 fps | 9K 3:2 Super 35 up to 100 fps | 8K / 4K 3:2 open gate up to 144 fps | 8K / 4K 2.4:1 up to 224 fps | 4.6K B4 crop 16:9 up to 240 fps |
| Lens Mount | URSA Cine lockable EF mount. Interchangeable with optional URSA Cine PL mount. |
| Lens Mount Compatibility | PL, LPL, EF, B4 |
| Lens Control | Lens control of compatible EF lenses. Lens data from compatible PL lenses and control of some PL lenses. |
| Focus | Focus button turns on peaking, auto focus available using compatible lenses. |
| Iris Control | Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video mode. |
| Codecs | Blackmagic RAW Constant Bitrate 3:1 | Blackmagic RAW Constant Bitrate 5:1 | Blackmagic RAW Constant Bitrate 8:1 | Blackmagic RAW Constant Bitrate 12:1 | Blackmagic RAW Constant Bitrate 18:1 | Blackmagic RAW Constant Quality Q0 | Blackmagic RAW Constant Quality Q1 | Blackmagic RAW Constant Quality Q3 | Blackmagic RAW Constant Quality Q5 | H.264 Proxy in 1920 x 1080, 8-bit 4:2:0 | Blackmagic IP10 |
| Codec | Blackmagic IP10 codec optional for 2160p59.94 and 2160p60 as 2110 IP video. |
| Recording Format | Blackmagic RAW up to 12K 3:2 Open Gate |
| Constant Quality Raw Settings | Q0, Q1, Q3, Q5 |
| Constant Bitrate Raw Settings | 5:1, 8:1, 12:1, 18:1 |
| Constant Quality Rates For 17K And 12K | Q0 9:1 – 2.5:1, Q1 11:1 – 4.5:1, Q3 20:1 – 8:1, Q5 30:1 – 10:1 |
| Constant Quality Rates For 8K | Q0 5:1 – 2.5:1, Q1 7:1 – 3:1, Q3 12:1 – 4:1, Q5 16:1 – 6:1 |
| Constant Quality Rates For 4K | Q0 2:1 – 1.2:1, Q1 3:1 – 1.3:1, Q3 4:1 – 1.7:1, Q5 5:1 – 2:1 |
| Analog Audio Inputs | 2 x XLR analog switchable between mic, line and AES audio. Phantom power support. | 1 x 3.5mm headset jack |
| Audio Inputs | Mini XLR input with 48V phantom power, 3.5mm stereo audio jack (Conflict in sources) |
| Audio Connections | Balanced XLR audio with 48V phantom power (Conflict in sources) |
| Analog Audio Outputs | 1 x 3.5mm headset jack |
| Audio Outputs | 3.5mm headphone jack |
| Audio Output | Headphone connection |
| SDI Audio Sampling | 48 kHz and 24 bit |
| Microphone | Integrated stereo microphone. |
| Built In Microphones | 4 built in microphones (Conflict in sources) |
| Built In Speaker | 1 x mono speaker. |
| 100G 2110 IP Networks | 1 x 100G QSFP28 connection. |
| Video Output Port | One 100GbE Port for SMPTE 2110 Video Out |
| 2110 IP Video Outputs | 1 x 100G QSFP28 connection. |
| 2110 IP Video Inputs | 1 x 100G QSFP28 connection. |
| Live Video Output Protocol | SMPTE-2110 IP video |
| Senders And Receivers Per 100G | 1 x Ultra HD |
| SMPTE 2110-20 (Uncompressed Video) | IGMP v3 |
| SMPTE 2110-21 (Traffic Shaping) | Sender: Narrow | Receiver: Narrow, Wide Synchronous, Asynchronous |
| SMPTE 2110-30 (PCM) | Audio Conformance level: Level C |
| SMPTE 2110-40 (Ancillary Data) | Full access to entire SMPTE ancillary data stream. Includes RP 188/SMPTE 12M-2, closed captioning and HDR static metadata. |
| Precision Time Protocol | IEEE 1588-2008 (PTP v2) | ST 2059-1 | ST 2059-2 |
| NMOS IS-04 Discovery And Registration | v1.3.2 | Peer-to-peer via mDNS/DNS-SD |
| NMOS IS-05 Connection Management | v1.1.2 |
| NMOS BCP-002-01 | Natural Grouping |
| NMOS BCP-004-01 | Receiver capabilities |
| Total Video Outputs | 3 |
| SDI Video Outputs | 2 |
| SDI Rates | 1.5G, 3G, 6G, 12G. |
| SDI Outputs | 2x independent 12G-SDI |
| Video Connections | 12G-SDI in and out, HD-SDI output |
| Video Output | Full size HDMI connector (Conflict in sources) |
| HD Video Standards | 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, 1080i50, 1080i59.94, 1080i60 |
| Ultra HD Video Standards | 2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60 |
| SMPTE Compliance | SMPTE 2110‑20, SMPTE 2110‑21, SMPTE 2110‑30, SMPTE 2110‑40, SMPTE 292M, SMPTE 424 level A and B, SMPTE 2081-1, SMPTE 2082-1 |
| Network Interfaces | 10G Ethernet, WiFi |
| Ethernet | 1 x 100Gb/s QSFP28 connector for sending and receiving 2110 IP video or SMB file sharing, Web Media Management, Blackmagic Cloud uploads, camera control and streaming. |
| Direct Streaming | Supports Secure Reliable Transport (SRT) and Real Time Messaging Protocol (RTMP) local live streaming using a Ethernet or WiFi, or global live streaming using an internet connection via Ethernet, WiFi or USB‑C cellular data. |
| Streaming Protocols | RTMP, SRT |
| NTP | Network time protocol support allows you to sync the time on your camera, whenever connected to a network with any NTP server of your choice. |
| FTP | Download files from any drive attached to your camera using FTP. |
| SMB | File sharing using SMB |
| Web Media Manager | Using a browser connected over Ethernet, web media manager allows you to access, browse, download and delete files from any drive connected to the camera. |
| Reference Inputs | Tri-Sync/Black Burst and Timecode. PTP clock and timecode over 2110 IP network. |
| Sync Connections | Timecode in, reference input |
| Control Connections | LANC, 12-pin Hirose connector for servo zoom lenses (Conflict in sources) |
| Bluetooth Control Range | 914.4 cm |
| External Control | Blackmagic URSA Cine EVF can trigger record plus camera functions assigned to the VF1, VF2, VF3, Zoom, Exp and Record buttons. External Camera Control supported using REST API over Ethernet, WiFi or serial communication via the 7-pin Lemo connector. Run / Stop supported via 3-pin Fischer and 7-pin Lemo connector. Blackmagic iPad control and Bluetooth control supported. Blackmagic Zoom Demand and Blackmagic Focus Demand for controlling camera and compatible lenses. |
| Viewfinder | 1 x Viewfinder USB-C with video, power, camera control data and locking connector. Works with URSA Cine EVF and PYXIS Monitor. |
| USB-C Monitor Outputs | 2 x USB-C side monitor ports support URSA Cine EVF, PYXIS Monitor or DisplayPort monitors. |
| Computer Interface | 2 x USB-C side expansion ports for camera accessories. Software updates using side USB‑C closer to rear. |
| Front Connections | 7-pin LEMO (record start/stop and 24V power), 3-pin Fischer |
| Rear Power Input Connection | 8-pin LEMO (24V and 12V) |
| Rear Accessory Power Connection | 2-pin LEMO 12V |
| Accessories | 1 x 7-pin Lemo ‘EXT’ for power out, serial communication, and run/stop. | 1 x 3-pin Fischer ‘RS’ for power out and run/stop. |
| Metadata Support | Automatically populated lens data from compatible EF lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes. |
| Timecode Clock | Highly accurate timecode clock. Less than 1 frame drift every 8 hours. |
| Screens | 2 x Monitoring Screens | 1 x Camera Status Screen |
| Monitoring Screen Dimensions | 12.7 cm |
| Monitoring Screen Resolution | 1920px x 1080px |
| Monitoring Screen Brightness | 1500 nits. |
| Monitoring Screen Type | LCD capacitive touchscreen |
| Display | 12.7 cm LCD touchscreen |
| Touchscreen Size | 12.7 cm |
| Display Brightness | 1,500 nit |
| Display Size | 10.2 cm fold out touchscreen (Conflict in sources) |
| Controls | Touchscreen menus on 5 inch screen. Push buttons for other controls. 6 assignable shortcut keys plus 6 assignable viewfinder shortcut keys on optional URSA Cine EVF. |
| Storage Type | 2 x CFexpress Type B |
| Media | Blackmagic Media Module CF includes 2 x slots for CFexpress Type B media. Also compatible with optional Blackmagic Media Module 8TB or 16TB. |
| Internal Storage Capacity | 8TB Blackmagic Media Module |
| Media Format | Blackmagic |
| Media Recorders | Dual CFast and dual UHS-II SD card recorders (Conflict in sources) |
| Recording Media | SD, UHS-II, CFast 2.0 cards, external USB-C disks (Conflict in sources) |
| Storage Rates | Storage rates based on 24 frames per second. |
| Storage Rates – 12K – 12,288 X 8040 | Blackmagic RAW 3:1 – 1,194 MB/s | Blackmagic RAW 8:1 – 448 MB/s | Blackmagic RAW 12:1 – 299 MB/s | Blackmagic RAW 18:1 – 199 MB/s | Blackmagic RAW Q0 – 398 to 1,433 MB/s | Blackmagic RAW Q1 – 326 to 796 MB/s | Blackmagic RAW Q3 – 179 to 448 MB/s | Blackmagic RAW Q5 – 120 to 358 MB/s |
| Storage Rates – 9K – 17,520 X 8,040 | Blackmagic RAW 3:1 – 714 MB/s | Blackmagic RAW 8:1 – 268 MB/s | Blackmagic RAW 12:1 – 179 MB/s | Blackmagic RAW 18:1 – 119 MB/s | Blackmagic RAW Q0 – 238 to 857 MB/s | Blackmagic RAW Q1 – 195 to 476 MB/s | Blackmagic RAW Q3 – 107 to 268 MB/s | Blackmagic RAW Q5 – 72 to 214 MB/s |
| Storage Rates – 8K – 8192 X 5360 | Blackmagic RAW 3:1 – 533 MB/s | Blackmagic RAW 5:1 – 320 MB/s | Blackmagic RAW 8:1 – 200 MB/s | Blackmagic RAW 12:1 – 133 MB/s | Blackmagic RAW Q0 – 320 to 639 MB/s | Blackmagic RAW Q1 – 228 to 533 MB/s | Blackmagic RAW Q3 – 133 to 400 MB/s | Blackmagic RAW Q5 – 100 to 266 MB/s |
| Storage Rates – 4K – 4096 X 2680 | Blackmagic RAW 3:1 – 135 MB/s | Blackmagic RAW 4:1 – 101 MB/s | Blackmagic RAW 5:1 – 81 MB/s | Blackmagic RAW 6:1 – 68 MB/s | Blackmagic RAW Q0 – 202 to 336 MB/s | Blackmagic RAW Q1 – 135 to 311 MB/s | Blackmagic RAW Q3 – 101 to 238 MB/s | Blackmagic RAW Q5 – 81 to 202 MB/s |
| Recording Speed Cfast | Up to 900 MB/s across two CFast cards (Conflict in sources) |
| Recording Speed Sd | Up to 500 MB/s across two UHS-II SD cards (Conflict in sources) |
| Recording Speed Usbc | Up to 900 MB/s to USB-C flash storage (Conflict in sources) |
| Power Supply | +24V DC external power supply 100 – 240 AC 50/60Hz compatible with IEC C14 socket. | B-Mount battery plate. |
| Included Power Supply | 250W AC power supply |
| Preinstalled Battery Plate | B-Mount battery plate |
| Power Input | 1 x 8 pin Lemo compatible socket for +12V to 34V DC external power supply or battery. | Molex connector for rear battery plate. | 4-pin XLR industry standard power connector (12V to 18V) (Conflict in sources) |
| Power Inputs | Locking DC 12 volt power connection, USB-C charging (Conflict in sources) |
| Power Output | 1 x 7-pin connector with +24V DC power output when camera is powered by +24V DC batteries or power supply. | 1 x 3-pin Fischer with +24V DC power output when camera is powered by +24V DC batteries or power supply. | B-Mount battery plate including 2-pin connector with +12V regulated output from camera. | 4-pin XLR DC output (Conflict in sources) |
| Power | 1 x 8-pin Lemo compatible +24V DC power input. |
| Battery Compatibility | LP-E6 batteries (Conflict in sources) |
| Chassis Material | magnesium alloy |
| Skin Material | carbon fiber polycarbonate composite |
| Dimensions | 25.1 cm x 15.2 cm x 15.2 cm |
| Weight | 3.7 kg |
| Storage Temperature | -20° to 45°C (-4° to 113°F) |
| Relative Humidity | 0% to 90% non-condensing |
| Warranty | 1 Year Limited Manufacturer’s Warranty. |
| B&H # | BLURSAC12B |
| MFR # | CINEURSAAB12KLFABDY1 |
Included by default
- Blackmagic Design URSA Cine 12K LF 100G Camera (Body Only, Canon EF)
- EF Lens Mount
- Blackmagic Design Media Module CF
- Rubber Connector Caps
- Wi-Fi Antennas
- EF Body Cap
- DaVinci Resolve Studio Activation Key
Frequently asked questions
When should someone choose it?
Choose this model when high-speed 100G QSFP28 network streaming, 12K recording formats, high-brightness monitoring displays, and SMPTE 2110 support are required.
What are the common questions?
Common inquiries involve lens mount compatibility, built-in filter options, network output standards, and available frame rates.
What is included?
Includes the URSA Cine 12K LF 100G camera with EF mount, Blackmagic Media Module CF, rubber connector caps, WiFi antennas, EF body cap, and DaVinci Resolve Studio with an activation key.
What are the main limitations?
The supplied source data contains conflicting specifications for dynamic range (16 stops vs 14 stops), sensor format (Large Format full-frame vs Super 35), and wireless control range.
What are the main benefits?
Features Blackmagic RAW recording up to 12K 3:2 Open Gate, built-in 2, 4, and 6-stop IR ND filters, 1500-nit touchscreen displays, and 100G IP video output.
What problem does it solve?
It provides high-resolution 12K Blackmagic RAW capture paired with built-in optical ND filters and high-speed 100G IP network capabilities for live video, file transfer, and cloud workflows.
Which protocols, formats and connections are supported?
Supports SMPTE 2110 (2110-20, 2110-21, 2110-30, 2110-40), SRT, RTMP, PTP (IEEE 1588-2008), NMOS (IS-04, IS-05), SMB, FTP, and NTP.
What additional products or services are required?
Requires compatible EF, PL, LPL, or B4 lenses and an appropriate battery or external power supply solution.
Which lens mounts are supported by the URSA Cine 12K LF camera?
It comes with an installed lockable EF mount and supports interchangeable optional PL, LPL, and B4 mounts.
What built-in optical ND filter options are included?
The camera includes button-activated ND filters with clear, 2-stop, 4-stop, and 6-stop IR ND filter settings.
What network connections are available for video streaming and data?
It includes a 100G QSFP28 connector supporting SMPTE 2110 IP video, SMB file sharing, FTP, Blackmagic Cloud uploads, and SRT/RTMP streaming.
What is this product?
The URSA Cine 12K LF 100G is a digital cine camera body featuring a large-format full-frame 12K sensor and a 100G QSFP28 IP network connection.
Who is it for?
It is designed for cinematographers and live production professionals requiring high-resolution digital film recording and SMPTE 2110 IP video integration.
Selection advice
- Choose this product when: Select this camera body when you need large-format 12K video capture combined with 100G QSFP28 IP video connectivity for live or studio workflows.
- Required complementary products: Blackmagic URSA Cine EVF, PYXIS Monitor, URSA Cine PL Mount, URSA Cine LPL Mount, and Blackmagic Media Modules.
- Consider an alternative when: Consider an alternative camera when you do not need 100G IP networking capabilities or require standard single-source specification compliance.
- Relevant alternatives from the connected store: Blackmagic URSA Mini Pro 12K or other digital cinema cameras in the Blackmagic product lineup.
- Suitable applications: Digital cinema production, live event broadcasting with SMPTE 2110 IP video infrastructure, and studio multi-camera environments.
- Unsuitable applications: Lightweight, low-power consumer shooting where IP video networking and cinema workflows are unnecessary.
| SKU | BL-CINEURSAAB12KLFABDY1 |
|---|---|
| Brand | BLACKMAGIC |
| Product Name | Blackmagicdesign URSA Cine 12K LF 100g Body, URSA Cine 12K LF 100g Body |
| Product type | Digital Cine Camera, Digital cinema camera |
| MPN | |
| EAN | 9338716010619 |
| Series | URSA Cine |
| Options | 12g-SDI, 100g QSFP28, SMPTE 2110, SRT, RTMP, Audio In, Audio |
| Mounting | Tripod mount |
| Resolution | 12K |
| Application | Broadcast, Live streaming, Internal video production |
