Atomos Sumo 19 SE
The Atomos Sumo 19″ SE HDR Monitor, Recorder, and Switcher has been upgraded with an 19″ 1920 x 1080 QLED touchscreen display and 1200 cd/m² brightness. It still maintains the same 4K recording, monitoring, and switching capabilities of its predecessor with a sharper and brighter display.
€ 1.995,00
1 in stock (can be backordered)
- Ordered before 4PM same day shipping
- FREE shipping within EU
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Atomos Sumo 19 SE Monitor Recorder Switcher
The Atomos Sumo 19″ SE HDR / High Brightness Monitor Recorder / Switcher can be implemented to enhance professional video workflows in both production and post-production with its large, bright color-accurate 19″ QLED screen and 4K recording capabilities. On set, the Sumo’s HDR capabilities enable cinematographers to realize more of a cinema camera’s dynamic range when shooting in log or raw formats.
With a bright (1200nit), HDR touchscreen covering the DCI-P3 (P3) Color Gamut, the ability to record Apple ProResRAW up to 6Kp30, and a rugged and versatile design, the SUMO 19SE is the perfect addition to an on-set video village. With four independent inputs it can also be used to switch and record each ISO stream up to 1080p60 and has full-sized XLR connectors for professional audio workflows. Unlock the true potential of SDI RAW cinema cameras with the Sumo 19SE. Preserve the pristine quality of the data from the camera sensor by recording in Apple ProRes RAW at up to 6Kp30, 4Kp60 DCI/UHD, and 2Kp240 DCI/HD, or record in CinemaDNG at up to 4Kp30 DCI. Sumo 19SE is compatible with the Sony FS series cameras, Canon C300MKII/C500, Panasonic EVA-1/Varicam LT, and more.
Video from any camera or digital video source can be captured via SDI or HDMI. Record up to 10-bit 4:2:2 in Apple ProRes or Avid DNxHR codecs at 4Kp60. With support for multiple inputs via SDI, the SUMO 19SE provides the ability to record up to 4 x inputs and also supports ProRes LT and DNxHD 36 for extended recording times.
KEY FEATURES
- 1920 x 1080 QLED Touchscreen Display
- HDMI 2.0 & 12G-SDI Inputs/Outputs
- Quad-HD Live Switching & 5-Ch Recording
- 1200 cd/m² (±10%) Brightness
- ProRes RAW Support
- 8-Bit+FRC 422 ProRes/DNxHR Encoding
- HDR Mode with 10-Stop Dynamic Range
- Two XLR Inputs with +48V
SE Upgrades and Features
- Upgraded 19″ Quantum Dot OLED display with 1200 cd/m² brightness (±10%)
- Live, quad-channel HD switching and recording
- Supports recording in ProRes RAW and 10-bit 422 ProRes/DNxHR
- HDMI 2.0 and quad-SDI support genlock and LTC timecode
- Works in HLG and PQ formats of HDR
Live Quad-Channel HD Switching and Recording
- Record four streams simultaneously as separate ISOs while cueing and switching in real time
- Record fifth channel of switched feel and display resulting in mixed output live on set (via HDMI or SDI)
- Switching is asynchronous and can be output with Atomos Connect 4K
HDR Capabilities
- 10-bit processing takes RAW/Log/PQ/HLG output from camera or gaming consoles
- Maps to display 10+ stops of dynamic range in real time
Two XLR Inputs with Phantom Power
- Full-size XLR connections with +48 phantom power
- Connect two external microphones for balanced analog audio recording and monitoring
- Dedicated meters, gain controls, and adjustments for frame delay on each channel
- Mic or line level audio can be synced with embedded HDMI and SDI audio
Powering the SE
- Dual 4-pin XLR inputs for continuous dual battery power
- Includes BattWing mounting bracket for integration of V-mount or Gold mount battery 95Wh or larger
- Includes AC power supply, 12-16.8V DC input
SPECIFICATIONS ATOMOS SUMO 19 SE MONITOR RECORDER SWITCHER
| Physical Specifications | |
| Dimensions (W x H x D mm) | 310mm / 12.2″ x 504 mm / 19.8″ x 63mm / 2.5″ |
| Weight | 6.2kg / 13.7lb |
| Mount points | Top: 4 x 1/4′ 20, 2 x 3/8″, Bottom: 6 x 1/4′ 20, 3 x 3/8″ Right: 4 x 1/4′ 20, 2 x 3/8″, Left: 2 x 1/4′ 20, 1 x 3/8″ |
| VESA mount | 100 x 100 |
| Environmental | |
| Ambient operating temperature | Up to 40 Degrees Celsius |
| Construction and Control | |
| Cooling | Actively controlled fan and Heat Sink |
| Tally light | Rear and front |
| Multi-function button | Power / lock Screen |
| Touch Screen | Yes |
| Power | |
| Input voltage | DC 12-16.8v |
| Operating power | 75W |
| Compatible batteries | V-Lock / Anton Bauer Gold Mount via XLR terminal, (optional mounting plates available), 95Wh+ recommended. |
| Battery voltage | 14.4V nominal |
| Battery Run time (Record) | Depends on Watt Hours specification of battery used |
| Battery Run time (Monitor only) | Depends on Watt Hours specification of battery used |
| Continuous power | Dual Battery input via dedicated 4 pin XLR |
| DC in connector | 1 x 4 pin XLR (12-16.8V) |
| Dtap | Via optional D-Tap to 4 Pin XLR cable. |
| Display | |
| Touchscreen | SuperAtom IPS panel (capacitive touch) |
| Size | 19″ |
| Resolution | 1920 x 1080 |
| PPI | 120 |
| Bit depth | 10Bit (8+2 FRC) |
| Backlight Type | Optically bonded quantum dot |
| Brightness (cdm2 / nits) | 1200nit (+/- 10% @ center) |
| Aspect ratio | 16:9 Image Display |
| De-interlace mode | Yes |
| Color Gamut | DCI P3 |
| Calibration support | Atomos Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus |
| Color Pipeline | |
| Gamma | Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-log, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm F log, PQ (HDR10), HLG, Nikon N-Log |
| Gamut | BT2020, DCI P3, DCI P3+, DCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, F-Gamut, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut |
| 3D LUT Display | .Cube format |
| 3D LUT Output | Loop out |
| 3DLUT 50/50 | Yes |
| Monitoring Modes | Native/ 709 / HLG / PQ / 3D LUT |
| HDR output Conversion | HDR to HLG / PQ |
| Color Management | |
| Calibration | Atomos Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus |
| Display Controls | Backlight, Lift, Gamma, Gain |
| AtomHDR | Built in Technical Log to HDR EOTF |
| 3D LUTs | Display, monitor and output, Record, Load via SSD |
| Legalize | Full to Legal conversion available on Input |
| Video Input | |
| HDMI | 1 x HDMI (2.0) 4K p60 |
| HDMI RAW | No – HDMI Video only |
| SDI | 4 x 3G SDI, with 2 x 12G SDI backwards compatible, auto detection |
| SDI RAW | Apple ProRes RAW up to 6Kp30 |
| Bit Depth | 8/10Bit Video / RAW up to 12Bit |
| Video Chroma Subsampling | YCbCr 422 |
| HDR | Yes with Auto detection |
| Metadata | |
| SDI | File Name from Arri, RED. RAW – white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut |
| File Naming | |
| Standard | S/S/T & Rolling |
| Via SDI | Red, Arri |
| Video Output | |
| HDMI | 1 x HDMI (2.0) 4K p60 |
| SDI loop out | 1 x 12G SDI Backwards compatible, Auto detection. Level A and B selectable |
| SDI Play out | 1 x 12G SDI Backwards compatible, Auto detection. Level A and B selectable |
| Video Chroma Subsampling | 422 |
| Bit Depth | 10Bit Video / 12Bit RAW |
| Web Streaming | |
| USB UVC | Optional via ZATO Connect / USB Stick |
| Video Signal Conversion | |
| HDMI to SDI | Yes |
| SDI to HDMI | Yes – Video and RAW |
| Audio In/Out | |
| Audio Quality | 24-Bit / 48kHz |
| Audio Codec | PCM |
| HDMI | 8ch 24Bit, input dependent |
| SDI | 12ch 24Bit, input dependent |
| Analogue Audio in | 2 x XLR |
| Analogue Audio Out | 2 x XLR |
| Speakers | 2 x 5w |
| Headphone out | 3.5mm 2ch. |
| Timecode / Sync | |
| Embedded | SDI and HDMI |
| Time of day | Yes, Time and Date |
| LTC | LTC via BNC input in Record mode |
| Genlock | Genlock in Playback mode |
| Resolution and Frame Rates (Record, Monitor & Playback) | |
| 4k DCI | up to 4Kp60 |
| 4k UHD | up to 4Kp60 |
| 2K DCI 2046 x 1080 | up to 2Kp60 |
| FHD 1920 x 1080 Progressive | up to 1080p120 |
| FHD 1920 x 1080 PsF | Pull down |
| FHD 1920 x 1080 Interlaced | 1080i50 / 1080i60 |
| 1280 x 720p | 60p |
| 6K RAW | up to 6Kp30 Via SDI |
| 4K RAW | up to 4Kp60 via SDI |
| 2K RAW | up to 2Kp240 via SDI |
| Recording CODEC | |
| CDNG | For SDI RAW inputs Only |
| Apple ProRes RAW | ProRes RAW, ProRes RAW HQ up to 12bit 6Kp30 / 4Kp60 |
| Apple ProRes | Apple ProRes HQ / 422 / LT up to 4Kp60 |
| Avid DNxHD | up to 1080p60 |
| Avid DNxHR | up to 4Kp60 |
| Playback | |
| Playlist | Yes, Create custom play lists from full or sub clips |
| Loop | Yes, with user customizable in / out markers |
| CDNG | No |
| Apple ProRes Raw | Yes, recorded clips with linear PCM |
| Apple ProRes | HQ / 422 / LT – Yes with linear PCM |
| Avid DNx | DNxHR / DNxHD – Yes with linear PCM |
| Monitoring | |
| SDR | Native, 709, LUT |
| HDR | HLG, PQ Rec2020 |
| De-Interlace | Selectable mode |
| Recording functions | |
| Pre-roll record | Yes (HD 8s, 4K 2s) – Not available in RAW |
| ISO Record | 4 x ISO up to 1080p 60 (3G SDI Level A ONLY) |
| Switched Program Record | Yes Up to 1080p 60 |
| Timelapse | Yes |
| Multi Input / Switching | |
| SDI A/B toggle | Yes, supports up to 12G SDI per input |
| Dual Input display | Via Multi ISO input mode |
| Multiple SDI input | Up to 4 x up to 1080p 60 (3G SDI Level A ONLY) |
| Multiview Display | Via Multi ISO input mode |
| Input transitions | Auto or manual XML transition |
| Input Switching | Yes |
| Supported media | |
| Master Caddy I | No |
| SSDmini | Yes (AtomX SSDmini handle required) |
| CFast II | Not supported |
| File System | ExFAT |
| Interface | SATA 3 |
| Master Caddy III | Yes |
| On screen tools | |
| Waveform | 3 sizes |
| RGB parade | 3 sizes |
| Vector scope | 2 size / Position |
| 1 x Zoom | Yes. 1:1 Pixel mapping for 4K |
| 2 x Zoom | Yes |
| Focus peaking | Colour selected / threshold setting / colour/ Mono / edges only |
| False colour | Yes, with IRE scale |
| Zebra | Yes, customisable |
| Isolate color channel | Blue only |
| Cine Frame Guides | 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3 |
| Social Frame guides | 9:16, 1:1, 1.91:1, 4:5 |
| Safe areas | SMPTE frame size – Action and Safe |
| Grid markers | 9 grid |
| Anamorphic desqueeze | Display 1.25x, 1.33x, 1.5x, 1.8x and 2x |
| Display Flip | Vertical |
| False Color | Yes, with IRE scale |
| Onboard Signal Processing | |
| 4K UHD Downscale for HD | Loop out – 4K UHD to FHD |
| DCI Crop | Loop out – 17:9 to 16:9 Crop |
| I > P | 60i > 24p (3:2 pulldown) |
| PSF > P | 24/25/30pSF > 24/25/30p (2:2 pulldown) |
| Remote control | |
| HDMI | Auto HDMI Trigger, Supported Protocols – Canon, Sony, Atomos Open Standard |
| SDI | SDI trigger, camera selectable |
| Serial 2.5mm Jack | LANC control and calibration via optional USB to serial cable |
| Cut & Tag | |
| FCP XML | Cut tag EDL and Multicam with transitions in FCP XML |
| Supported Applications | |
| XML | Apple Final Cut Pro |
| Apple ProRes RAW | Apple Final Cut Pro, Adobe Premiere, Avid Media Composer, Grass Valley Edius, ASSIMILATE SCRATCH |
| Video Codecs | All applications with support for Apple ProRes and Avid DNX in .MOV wrapper |
| What’s in the box | |
| Accessories included | SUMO 19SE unit, 1x Master Caddy II, 1x BattWing mounting bracket with 4x screws, 2x Desktop Feet with 4x 1/4” Mounting screws, AC power supply |
| Optional extras | Sunhood, UltraSync One, HDMI cables, USB to serial cable |
| Warranty | |
| Standard | 1 Year |
| Extended | 3 Years |
| Target use / User | |
| Cinema | Yes |
| Director Monitor | Yes |
| Mixer/Swircher/ProAV | Yes |
| Rack/OB | Yes |
| DIT/Video Village | Yes |
| Pro Video | Yes |
| Editor/Colorist | Yes |
INCLUDED BY DEFAULT
- SUMO 19SE unit
- 1x Master Caddy II
- 1x BattWing mounting bracket with 4x screws
- 2x Desktop Feet with 4x 1/4” Mounting screws
- AC power supply
| MPN | |
|---|---|
| EAN | 814164022644 |
| Brand | |
| SKU | AT-ATOMSUMO19SE |
manual
HDR Tech Guide
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